Derek Roddy Drum Setup — Hate Eternal & King of All Kings Gear Guide | MetalForge

Frequently Asked Questions

What is a gravity blast?

A gravity blast is a drum technique in which a single hand executes multiple strokes per arm motion by allowing the stick's rebound from the drum head to raise it for the next stroke, rather than muscularly lifting it between each hit. Derived from the rudimental percussion "gravity roll," the technique generates blast beat patterns (rapid alternating kick and snare strokes) through a one-handed rolling motion rather than the standard alternating-hand approach. Derek Roddy is the foremost practitioner of the gravity blast in death metal — his performance on Hate Eternal's King of All Kings (2002) is the definitive recorded example of the technique at extreme tempos. The physical economy of the gravity blast allows sustained tempos that alternating-stroke blast beats struggle to maintain cleanly: at 250+ BPM, the gravity blast's rebound-driven mechanics require less muscular effort per stroke than alternating-stroke techniques, enabling both higher peak tempos and better endurance across full-length death metal performances. For more on blast beat technique variations, see [blast beat technique at MetalForge](/technique/blast-beats/drummers).

How fast does Derek Roddy play?

Derek Roddy's blast beat tempos on King of All Kings (2002) and across his Hate Eternal career are documented in the 220–280 BPM range, placing him among the fastest death metal drummers on record. His gravity blast technique enables these extremes by generating multiple strokes per arm motion through rebound mechanics rather than pure alternating-stroke speed — the technique's efficiency is the physical basis for his documented tempo range. At 280 BPM, individual kick and snare strokes are occurring at approximately 4.67 strokes per second each, or a combined rate of nearly 9–10 events per second in a standard blast beat pattern. Roddy's double bass technique at these tempos is equally notable: relaxed, rebound-efficient foot mechanics that parallel the wrist mechanics of the gravity blast above. For comparison with other extreme tempo death metal drummers, see [Derek Roddy's profile at MetalForge](/drummer/derek-roddy) and the Altars of Madness drum setup for Pete Sandoval's blast beat approach.

What drums does Derek Roddy use?

Derek Roddy plays a Tama Starclassic Maple kit, built around a double bass drum configuration. His setup includes two 22" x 18" kick drums, two rack toms (10" and 12"), and two floor toms (16" and 18"). The Starclassic Maple's 100% maple shell construction is central to the setup's performance characteristics: maple's fast resonance response and controlled decay ensure that individual kick and snare strokes articulate clearly at the extreme tempos Roddy employs with Hate Eternal. He plays Meinl cymbals — primarily from the Byzance and Mb20 Heavy Series lines — and uses Vater sticks. His cymbal selection prioritizes fast attack and controlled decay, the characteristics that preserve rhythmic definition in death metal's dense sonic environment. For a full profile and career context, see [Derek Roddy at MetalForge](/drummer/derek-roddy).

What cymbals does Derek Roddy use?

Derek Roddy plays Meinl cymbals, primarily from the Byzance and Mb20 Heavy Series lines. His setup includes 14" hi-hats for gravity blast rhythmic definition, 16" and 18" crashes for accent work across Hate Eternal's dense arrangements, a 20" ride for bell-articulation passages, and an 18" china for the most aggressive accent moments. Meinl's cymbal manufacturing produces instruments with fast attack characteristics and controlled, predictable decay — properties that are requirements at the tempos Roddy operates. At 250+ BPM gravity blast speeds, hi-hat decay speed directly affects rhythmic definition: slow-decay hi-hats blur individual strokes into an undifferentiated wash; Meinl's design choices preserve articulation across the tempos Roddy employs.

What is the connection between Derek Roddy and Morbid Angel?

Derek Roddy has toured with Morbid Angel as a live drummer, filling the drum chair associated with Pete Sandoval — one of death metal's most foundational blast beat drummers and the drummer on Altars of Madness (1989), Blessed Are the Sick (1991), and Covenant (1993). The connection creates a direct lineage in death metal's blast beat tradition: Sandoval developed the blast beat as a compositional foundation for Morbid Angel's extreme approach in the late 1980s; Roddy extended that tradition through the gravity blast technique with Hate Eternal while also performing Sandoval's original parts live with Morbid Angel. Both are among the most technically studied drummers in death metal history. See [Altars of Madness drum setup](/articles/altars-of-madness-drum-setup) for the full Pete Sandoval breakdown and comparison.