Arise Double Bass Drive — Eloy Casagrande (Sepultura) Drum Lick | MetalForge
VIDEO
Learn the Arise Double Bass Drive drum lick by Eloy Casagrande of Sepultura. From Arise (Arise (1991)). "Arise" is the title track of Sepultura's classic 1991 thrash record, originally drummed by Igor Cav...
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1. Eloy Casagrande's Signature Licks — "Arise" is the title track of Sepultura's classic 1991 thrash record, originally drummed by Igor Cavalera, and when Eloy Casagrande recorded his playthrough of it he was both honouring that legacy and stamping it with his own precision. The song is a thrash-metal benchmark: a driving, mid-to-fast tempo built on a half-time chorus groove and verses that lean into double bass and tight, riff-locked snare work. Casagrande's reading of it is a lesson in how a modern player can respect a classic part while elevating its execution — his timing is razor-sharp, his double bass is cleaner and more even than the era's recordings allowed, and his grooves sit perfectly in the pocket. The iconic half-time chorus, where the snare lands heavy on beat three over a churning riff, is one of thrash's great head-bang moments, and learning to make it feel as massive as Casagrande does is all about commitment and backbeat strength. The verses move into faster double-bass-driven patterns that demand both stamina and articulation. What developing drummers gain from studying this track is a foundation in thrash drumming: the half-time-to-double-time feel changes, the locked kick-and-riff relationship, and the disciplined double bass that powers the genre. Because the song is a relatively straightforward 4/4, the challenge is less about complexity and more about feel, power and consistency over a sustained run. Studying "Arise" builds your thrash vocabulary, your double-bass endurance, and your sense of how to make a heavy groove feel genuinely heavy through dynamics and commitment rather than speed alone. It is a rite of passage for any metal drummer and a chance to learn from how a top modern player approaches a foundational classic. Comparing Casagrande's reading against Igor Cavalera's original is a lesson in itself, showing how the same iconic part can be honoured note-for-note while still being sharpened by decades of evolved technique and recording clarity.2. Eloy Casagrande Profile — Commit fully to the half-time chorus, landing a heavy snare on beat three over the riff Drive the verses with clean, even double-bass patterns locked to the guitar Nail the half-time-to-double-time feel changes so each section hits with the right weight Build double-bass endurance to sustain the drive through the full song at ~180 BPM Use power and dynamics, not just speed, to make the groove feel genuinely heavy
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