Evangelion Blast Beat Sequence — Ov Fire and the Void — Inferno (Behemoth) Drum Lick | MetalForge
Learn the Evangelion Blast Beat Sequence — Ov Fire and the Void drum lick by Inferno of Behemoth. From Ov Fire and the Void (Evangelion (2009)). Behemoth's Evangelion (2009) arrived as the follow-up to the already monumental Demigod and cemented...
Gear Deep Dives & Articles
1. Inferno's Signature Licks — Behemoth's Evangelion (2009) arrived as the follow-up to the already monumental Demigod and cemented the band's position as one of extreme metal's premier live and studio acts. "Ov Fire and the Void" is the album's most anthemic track — a blackened death metal colossus built around a massive, driving groove that switches into full-force blast sections with devastating effect. Inferno's drumming on it is a model study in blast-beat sequencing: how to chain separate blast sections together with groove-based passages in a way that gives each blast maximum impact and prevents listener fatigue. The blast sequences in "Ov Fire and the Void" are precisely placed to coincide with the song's most extreme melodic events, and the transitions between blasting and the groove sections are executed with a snap and finality that marks them as compositional decisions rather than random switches. Each blast sequence has a distinct character — the opening blast is more exploratory, the mid-song sequences more relentless — and Inferno varies his snare accent placement and cymbal work across them to keep the listener's ear engaged even at sustained extreme tempos. The production on Evangelion, handled by Colin Richardson, gives the drums exceptional clarity: the kick attack is tight and punchy, the snare has a dry, cutting crack, and the overall drum sound allows the nuances of Inferno's sequencing to be heard and analysed. For drummers, "Ov Fire and the Void" teaches blast-beat sequencing as a compositional tool — not just how to execute a fast blast, but how to place blasts within a song architecture for maximum emotional effect. Practise by mapping the song section by section, identifying exactly where each blast begins and ends, and then learning the groove passages between them so the transitions become sharp and intentional. Study how the blast character shifts from section to section and work to replicate those subtle variations, as that is what elevates Inferno's work above purely physical speed. Evangelion is one of Behemoth's most refined studio achievements, and this track is the clearest demonstration of Inferno's sequencing intelligence.2. Inferno Profile — Place blast sequences at precise song moments to coincide with melodic extremity Vary snare accent placement across different blast sections to maintain listener interest Execute transitions between blast and groove with sharp, intentional finality Keep kick attack tight and punchy throughout the blast sequences Study the song architecture section by section before practising full-speed
Visit MetalForge →